Shu-Jung CHAO, artist in residency during September and October

Shu-Jung CHAO, artist in residency during September and October

Shu-Jung CHAO is the winning artist of the Open Call published by Cultural Office of Ministry of  Taiwan to realize a residency in Homesession during September and October 2019.

 

Shu-Jung CHAO (Taipei, 1982)  is an interdisciplinary artist.
Her works focus on the ideas behind fundamental human experiences such as memory, travelling/time travel, culture/language and aspects of consciousness, as well as “globalization” issues in the public sphere.
Shu-Jung grew up in Taipei, Taiwan. After long residence in France, she evolved a lifetime ambition to the video, new media, multimedia and contemporary art. In 2009, Shu-Jung graduated from Ecole Nationale Supérieure d’Art de Bourges with a Master’s degree in Fine Arts. In 2011-12, she participated in the Post-graduate programme at the Ecole Nationale Supérieure
des Arts Décoratif de Paris. In addition to participating in several international art festivals and exhibitions (in France, Germany, USA, Singapore and China), Shu-Jung is the only Taiwanese artist whose work was selected by the French- German Arts and Culture TV (ARTE Video Night), broadcast on ARTE, the Cinematheque of Toulouse, the Digital Culture Art Center in Paris (La Gaîté Lyrique ) and the Palais de Tokyo in Paris. In 2017, her first solo exhibition in Japan Sound! Soundings!! was broadcast on NHK and RSK TV. In 2011, she was selected for Taiwan’s Emerging Artists by the Ministry of Culture (Made in Taiwan – Young Artist Discovery).

Several of her works have also been added to the collection of the National Taiwan Museum of Fine Arts and ArtBank, supported by the Ministry of Culture.
http://shujung.tumblr.com/
https://vimeo.com/user4470927/videos

 

Colaboration:

 

 

Opening 26-10-2018 “Erica” by Veeeky (Taiwan)

Opening 26-10-2018 “Erica” by Veeeky (Taiwan)

Veeeky (Wei – Chia  Wu): ERICA

Opening 26_10_2018, 19h

Our body exhibits more similarity through messages shared in internet space. Our online appearance are evaluated by algorithm, it spreads in a speed of faster than ever. This phenomenon plays an important role in designing our daily appearances through build-in-app filters, plastic surgeries and make-up.

Female has been struggled with the standard of beauty, which has brought us an entire beauty industry dedicated to manufacture perfection. We are suppressed, but at the same time, the pursue for the inclusion is the main force which motivates all the medical-technical development. In addition, Big companies such as Chinese Selfie app company Meitu, is affecting our evaluation of beauty, we can the modify our face through their predefined beautify whiten slimmer face adjustment, they upload the modified image to social media websites and creating the avatar(online image). 

With the growing capability of modifying our face, body and identity each day- we are making our body renewable and modifiable. Meanwhile, scientists are racing to experiment and to test 3D printing organs, body ink, Neurolink, and our understanding of biological body is changing to machine-like concept- where our body is assembled just as how machines are composed by different parts.

The project is a near-future narrative in which we push the interrelation between online self (developed through selfie-beautify app), beauty tech (plastic surgery, biomeds…), and automated online interaction, to a degree that the online/ offline relationship integrated fully and become how we produce life. This service allows the online avatars automatically interact with each other, through the data collected by beautify prosthesis wore by users. This autopilot mode is populated by users because it offers automated online interaction by reducing the labour of constant uploading and downloading; it also generates personalized content by analyzing user-generated data through Internet of Things. 

Born in Kaohsiung and raised in Taipei (Taiwan), currently lives and works in Beijing (China) Veeeky (Wei – Chia  Wu) started from the cofounder of Bounce Girlz, a group focusing on music event and content in Taiwan, Taipei, when she was in National Taiwan University studying sociology. After spending time digging into visual communication in Goldsmiths College, London, she had more chances to explore new sounds and further established her own way of selection of music and creating visual art. Her approach of synchronizing and sampling sound with visual is limitless, experimenting sounds consisting of surprising content. She is now taking care of the visual in a creative music label Do Hits, making cover arts/live visual/graphics. Do Hits is known for Asian digital sound and art.

veeeky’s visual is based on the thinking of contemporary society, discussing internet/gender/information/channels/globalization-local content, often presenting it in high saturation utopia videos.

Design||| https://www.veeeky.com/
Music||||| https://soundcloud.com/wei-chia-wu

 

With the support of Ministry of Culture of Taiwan

 

Fragment: Yu-Hang Huang.

Yuhang homesession

“Sometimes, we preserve; we discard, we fetish or we destroy an object because of its association with a moment in our past. No matter how the moment was joyful; hurtful; meaningful or unforgettable, that feeling only turned into fragments of our lives through pieces of objects. In Fragment project, I try to mingle your past and my current turning into something in between.”

From 2008, Yu-Hang Huang has created a series of work by combining performance video and sculpture installation to investigate the notion of “fluidity of identity”, which related to mobility, displacement, and sense of rootless caused by migration.

Huang had lived in North America for nine years before moving back to Taiwan in 2010. She had received numerous grants and exhibited her work internationally including USA, South Korea, Taiwan, Canada and Europe. She is currently in residence at Homesession.

Sunday, September 27, 2015. 18h
Homesession
C/ Creu dels Molers 15, Barcelona.

An initiative from the Economical and Cultural Office of Taipei, with the support of the Ministry of Culture of Taiwan.